Mathematical selfies
can be a great way to see what someone knows or doesn’t know about a particular
topic, as we have talked about in earlier posts, and glean some information
about common understandings and misunderstandings. Selfies
also offer an opportunity to see the photographer’s passion while revealing the
mathematical world of the individual.
One of my students in a liberal studies mathematics class is an artist
with a passion for photography. Her
excitement about completing a project to explore mathematics through
photography was evident by the gleam in her eye and the far away look that
followed my description of the assignment.
I’d like to share some of her work as a way to take a quick look at one
student’s combination of a personal passion with a personal view of
mathematics.
As Jess moved around campus with her camera--a quick snapshot with a phone was not sufficient for her passion--she looked for geometric shapes as one category of the assignment. Her work, however, was much more than simple photos of common shapes. Using her artist’s eye for perspective, she was able to effectively translate between 2D and 3D to capture images of geometric objects. Here’s some of what she saw.
Rectangular Perspective |
Across the highway from our campus is a beautiful conference
center that Jess visited in her mathematical
selfies walk around campus. She
began her trip to NCCAT through the tunnel that connects the two campuses. This is a place that students have decorated
with a variety of comments, slogans, and other messages. From the title of her photo, the artist saw
those messages as descriptive of the object itself, but it also reveals her
view of how a 2D rectangle can be seen within a 3D object in the world. She saw a rectangle in the light at the end
of the tunnel. Her ability to combine what she knows is the shape of the other
end of the tunnel with a sense of perspective allows her to turn an explosion
of light into a clearly articulated rectangle complete with a description that
captures the essence of the definition using a combination of formal and
informal language.
Trapezoidal Shape |
Continuing on through
the grounds of NCCAT, Jess encountered a gate on the path to the pond that lies
in front of the conference center.
Before passing through the arch, she stopped to note the geometric form
at the top of the passage. This time,
her definition is formal and taken from an external source, but she does
demonstrate her understanding of this definition with the figure in red that
she added to the photo. I found it
particularly interesting that while she had no trouble seeing the shape and
photographing it, she was not comfortable describing this shape in the informal
manner that she used to describe the more common rectangle. Her ability to see a trapezoid among all the
shapes that are part of the arch reveals her ability to focus on some parts of
a structure, and it also reveals her appreciation of symmetry.
A Cone in the Water |
Passing through the
archway, Jess shows us another part of an artist’s understanding of perspective
with her photo of an overflow drain.
Rather than choosing to photograph the large jet of water rising from
the center of the pond, Jess found a quieter shape that shows a cone as part of
its construction. This time, her sense
of 3D perspective is obvious in the red figure traced on the top of the
drain. In her definition, again a
combination of formal and informal language, Jess notes the 3D nature of the
cone and describes how that definition translates into this object. Like the 2D rectangle, this 3D shape does not
push her to find an external source for a definition. Does this indicate that a trapezoid is less
commonly recognized in our world?
Mathematical selfies
of geometric shapes are some of the easiest for students to capture. In the case of a student who is drawn to
visual representations and photography in particular, those selfies can illustrate a much deeper
sense of the geometric structure of our world.
Not only are these photographs beautiful, they illustrate her sense of
perspective that seamlessly combines 2D and 3D objects.