Saturday, May 27, 2017

To Infinity and Beyond… -- By Kathy Jaqua

      The idea of limits in mathematics seems to challenge many students when they first encounter it.  The mathematical notation of a limit:
can be intimidating because it is new, unusual, and requires a lot of interpretation just to understand all of the pieces. For basic, beginning limits, in essence there are two possible answers for each of these processes, the limit exists and is a specific value or it doesn’t exist (DNE).  We do make DNE a bit more detailed by allowing the specific case of the limit not existing because it goes to positive or negative infinity to be considered as a special form of does not exist.  With that additional distinction, it creates essentially six possible equations for basic limits if we think about limits involving infinity as having either positive or negative infinity as possibilities and c and k as constants:


      Solving these limit problems for given functions is a common exercise in pre-calculus and beginning calculus courses with a variety of techniques studied for specific types of problems.  Given one of a few types of limit problems, most students learn how to calculate the value of the given expression.  Most students also learn how to identify approximate values based on a graph or on a table of values.  More sophisticated uses of limits, however, show up in many places in higher-level courses that require a deeper understanding of what a limit actually is and what the various pieces of the limit expression represent.  So how can we capture what students understand about the concept and the nomenclature of limits independent of the limited types of problems we examine in pre-calculus and beginning calculus courses?  Mathematical selfies of limits from my Calculus I class revealed more about student understanding of the concept of limits and of the syntax of limit expressions.  Their task in this instance was to create two mathematical selfie, one to illustrate a limit as x goes to a constant and one as x goes to infinity.


Outcome 1:  Selfies mimicking a graphical representation of limits

      It is not a surprise that because mathematical selfies are visual, most students equated them with graphical representations.  Some students created simulations that resembled typical graphs involving vertical or horizontal asymptotes such as the cords positioned to mimic graphs with asymptotes as in photo 1. Others found examples that mimicked graphs in objects around them. Photo 2 shows several of those types of photos. 


                                    
     
                                                        
        In discussing their photos, students revealed a range of understanding of the concept of limit.  The author of the photos of the cord (photo 1) revealed a somewhat muddled understanding of the idea of limits.  He describes the photo on the left as “The next picture is of a paracord, and it represents a limit as x goes to infinity. It represents that because it goes up which in return creates a vertical asymptote meaning that the line (paracord) goes to infinity.”  This description does not show that he distinguishes the role of x and f(x) in the limit process as both could be seen as going to infinity, but his description really inplies x going to a constant where the asymptote occurs and y going to infinity.  Looking at his comment about the photo on the right (photo 1) convinces me that he does not understand those roles.  “This next picture is also of a paracord and it represents a limit as x goes to a constant. It represents that because it levels off as it goes down making it a constant value.”  In this description he clearly mixes the roles of the x and y coordinates on his imagined graph.  

            In describing the copier shown above (photo 2), the author said, “This photo also illustrates a limit as x approaches infinity, if you look at the part directly above the sticker stating “questions or concerns”. A limit as x approaches infinity means that the function will continually get close to a certain output value (y-value), but will not actually reach that value. This illustrates that because, on an XY graph, this is the shape that would be produced by graphing a limit that approaches infinity.”  He is equating the shape he sees with a shape as an “XY graph”, and he understands the role of the “X” and “Y” coordinates in his example as they relate to the limit process.  He does reveal a bit of a misunderstanding when he implies that the function value can’t become constant in the limit process, but it may just be in reference to the example he is using. He also trips up on the language of limits when he states “a limit that approaches infinity” when he means the limit as x approaches infinity. The author of “Subway Y” (photo 2), on the other hand, confuses the idea of the limit as x goes to a constant with the idea of a limit of a function that is a constant as did the first student with his paracords.  His photo shows the function approaching a constant on the top edge of the curved section of the Y, but he labeled this mathematical selfie as “Limit at a constant”.  The typical language that mathematicians use with limits has not quite been perfected by this student because he continues with the description: “The Subway “Y” represents a limit at a constant because the slope gets closer to zero as it approaches the “peak” or constant.”  He suggests the idea of the limit of the function approaching a constant, but he doesn’t see that as different from the limit at a constant.

            The author of “Christmas tree” and the author of “scissors” (photo 2) both describe the idea of a limit at a constant using the definition of a limit based on left and right hand limits.  For Christmas tree, the author says, “In my picture, the limit is the star, from both sides.”  The author of scissors says “As x travels towards a constant is when a point on a line is checked from both the left and the right side to see if they both travel to the same point. If they do this shows that x does in fact travel to this point. These scissors represent x traveling to a constant by the blades being the line if you travel down both blades they meet at a single point this point represents the constant.”  There is some ambiguity (especially for the scissors) in whether these authors distinguish between the constant that x approaches from each side with the constant that the y value approaches.  Once again there appears to be some confusion, at least in the discussion, of the distinction of a limit at a constant and the limit is a constant.


Outcome 2:  Selfies that don’t depict limits as graphs

      One student authored two mathematical selfies that were more conceptual rather than mimicking a graph.  In these mathematical selfies, he reveals his knowledge of the distinction of the roles of the x and y components in a mathematical limit as well as the general concept of a limit.  The first, a photo of the WCU clock tower (photo 3), reveals this distinction directly:  “when the minute hand (or the x value) approaches the twelve, the hour hand (or y value) approaches the next number on the clock.”  He does note “when a function is shown on a graph, you can see where the points on the graph are that the function intersect. As the line gets closer to a certain point that means that the function is approaching that point.”  So while his point of view is somewhat graphical, he can translate that view into a more conceptual one when he discusses the relationship between the minute hand and the hour hand.  The same author also showed clear understanding of a limit as x goes to infinity.  As part of a robotics project in an engineering course, he created a robot powered by an Arduino board (photo 4).  He describes how this project illustrates the idea of a limit as x goes to infinity in a truly nongraphical way.  “In this picture, you can see a robot that has a set function to drive forward and avoid walls. This is achieved by looping the code on the Arduino board, by doing this the board will constantly look at the code and infinitely run it. At no point will the robot stop moving around unless an outside force has tampered with it.”  His focus on what would happen to the robot if the code ran infinitely is a clear example of the concept of a limit as the input (in this case code based) goes to infinity.   
                                            

            Finally, what do all of these mathematical selfies reveal about students’ understanding of the idea of limits?  Based on typical test questions completed during this same class, all of these students (and most of the class) could calculate basic limits using a variety of techniques.  They also could estimate limits based on graphs and tables.  But in the end, their mathematical selfies revealed two details not shown by typical testing.  First, as a class, they had a definite bias towards a graphical understanding, which may reflect my own bias for introducing these ideas in graph format. Second, I have some real questions on how well they truly understood the concept of limits and the roles of inputs and outputs in the process of a limit.  Certainly their tenuous knowledge of typical mathematical language of limits is shown.  Mathematical language is very precise and students often don’t see the crucial difference created by changing one small word.  In their descriptions of their mathematical selfies, students showed confusion between the ideas of limit at a constant and a limit that is a constant.  They would say one and show the other, or they would say them both about the same aspect of the photo.  While I often note lack of precision in students’ language during class discussions, these mathematical selfies allow me to more accurately assess their confusion of these two distinct ideas involving limits.  It also leads me to wonder if they can distinguish among the six different potential limit problem types.  In the end, I am left with more questions to explore with my next class and with several areas to consider as I plan activities, assignments, and assessments.


Kathy

Tuesday, May 16, 2017

What makes a good selfie -- By Axelle Faughn

Why use selfies to introduce and discuss mathematical concepts? What makes the idea so appealing to teachers and students alike? Obviously the power of visualization has a lot to do with it, turning abstract notions into concrete representations. In particular memory and recollection can be enhanced by the support of visuals when learning new material. Indeed, visual encoding is one technique our brain uses to commit new knowledge to long term memory through the process of storing new information by converting it into mental pictures. By systematically encouraging students to find visual representations of mathematical concepts in their daily world, we broaden the context of learning and create cues for retrieving such information outside of the academic classroom. We also provide opportunities for consolidation by unveiling a side of mathematics that may be more interesting, memorable, and engaging.

In the book "Teaching Mathematics as Storytelling", the authors dedicate a whole chapter to features of a good story. In this post I propose to attempt a similar analysis of components that enhance the use of selfies in the mathematics classroom. Some we have already discussed and may feel like a summary of good practice, others are new here.

The context of the photograph either brings the observer home (see "Derivatives in the Dorm" by Kathy), capitalizing on the familiarity of situations to better own the mathematical concepts, or it takes the observer on an adventure (as in Kenya), opening up new horizons for the group. Therefore, when selecting a selfie, it is important to be mindful of contextual associations, and mindful of the type of transfers one has to make when shifting one's attention from one context to another. The more representations of a specific mathematical concept students are exposed to, the more flexibility they have in making that shift efficiently.

"A part of good teaching that helps the transition to a richer understanding of mathematics is locating something wonderful in everything we teach" (p.18 of "Teaching Mathematics as Story-telling"). As most of us teaching mathematics know, elegance and beauty are not always conveyed as a easily to a group of students taking a pre-calculus class as they may be to an audience composed of mathematics aficionados. Instilling a sense of wonder (whether the term wonder reflects curiosity towards, or awe with respect to, the subject matter) in every mathematics classroom is a primary goal which can be achieved through the use of mathematical selfies. Indeed the search for appropriate representations in the world of the student partly helps them wonder about where it is they will find a good visualization that might appeal both to themselves and their peers, as well as receive the teacher's approval, therefore validating the quality of their submission. The sense of awe that students express when they realize how much of what they learn in the classroom also has ramification in their world outside of class is an added bonus of working with selfies... as one geometry student told me once "I never noticed before that there were triangles in all these objects!"

This sense of wonder leads us to discuss how to help students find human meaning in mathematics, in other words remembering that mathematics is a human construct, designed for human purpose. It is interesting to notice that students will either find a selfie expression in their world as in the mountain here, or they feel the need to make one up if they find themselves unable to retrieve an image from pre-existing objects (using belts or charging cords). For instance, submissions for polynomial functions often take one of these 2 forms.

Polynomial belt

In "Mathematical Selfies with an Artist's Perspective", Kathy follows one of her students on an artistic journey through the world of mathematical selfies. This aspect of selfies is highly motivating as a student engagement strategy and is further described as a possible multi- disciplinary approach in "STEAMing away with Mathematical Selfies", focusing on the artistic features of the students' work, yet providing additional human meaning to the mathematics. Likewise, using natural features to represent mathematical conventions (such as a natural set of axes for instance), or adding them in (drawing in) helps create a bridge with the mathematical world of the classroom. Students often use these spontaneously when trying to add an explanation within the image selected as shown in our post "A note on linear functions".


Selfies that offer a multi-approach, in other words those with a variety of entry points that can be used to illustrate more than one concept, are very rich mathematically and trigger long-lasting discussions in the classroom when properly navigated because of the mathematical connections they may reveal. These allow genuine student engagement during whole class discussions when students are invited to argue the validity of their interpretations. We discussed some of these in our most recent post "The problem with Number Sense", as well as  in "Mathematical connections unveiled within selfies".



The meta-selfie, or textual explanation that accompanies the photograph, helps shed light on the author's intent (see post "Reality and Perception" by Kathy for considerations on what the student's words may add to a picture), sometimes also adding extraneous information that may need to be addressed or clarified in class, opening up a world of opportunities for classroom discussions, as in the picture of the girl and the dog above where the student tried to use trigonometry before it was discussed in the corresponding course. In spite of the very approximate use of mathematics, the picture was voted one of the best by students taking the class, certainly due to the commonality of the situation and the humor factor created by establishing a seemingly complicated problem that could certainly be solved in a much easier way than the one suggested by the student (an age-old joke in school mathematics, or so it seems).


Reflection Selfie
To continue with the Humor theme, here is another student favorite that was voted best by the class when asked to submit pictures of transformations of functions. Although the notion of function itself is somewhat obsolete in this example, the physical reflection in the mirror allowed a good laugh, and helped capture students' attention, reminding us that fun can be had while doing mathematics. To that extent, any conflict, surprise, entertainment factor that personalizes a selfie and creates a feeling of familiarity with the mathematics will be favored by other students. Often peers will vote for selfies that I, as a teacher, would not necessarily have elected as most valuable. However, this reminds me that we do not approach the mathematics classroom from the same perspective, and selfies provide a wonderful way for us to meet in the middle.

Focusing on good features of a selfie, one can turn students interests from the extrinsic factors of obtaining good grades by performing the expected work, to more creative outlets and a more rewarding way to get involved in their learning, providing the intrinsic motivation that is often hard to gather in mathematics. Overall, students who are intrinsically motivated do better and understand the material more thoroughly, leading to creativity, high-quality learning, and self-efficacy. There is actual evidence that intrinsic motivation is a better predictor to success in mathematics than IQ measures (Middleton & Spanias, 1999). This alone should be convincing enough: students need to see math as interesting and useful, and it is our role as educators to convey such belief.

References:

James A. Middleton and Photini A. Spanias, "Motivation for Achievement in Mathematics: Findings, Generalizations, and Criticisms of the Research," Journal for Research on Mathematics Education 30, no. 1 (1999): 66.

Rina Zazkis and Peter Liljedahl, "Teaching Mathematics as Storytelling", SensePublishers 2009.

Friday, May 5, 2017

The problem with Number Sense -- By Axelle Faughn

Did you read in the recent News? A group of American scientists created a fluid with negative mass... now that would be one beautiful selfie to illustrate the notion of negative numbers, wouldn't it?  The fact is, Number Sense is one area of our work with selfies where participants have a truly hard time finding concrete representations of the seemingly simple concepts at stake... why is that?
In a previous post I listed the categories we use during workshops for Number Sense treasure hunts, here is the list again (with a few extras):

Treasure Hunt Category:  Number Sense
  1. Illustrate types of numbers (whole numbers, integers, rational, irrational, real)
  2. Illustrate place value or base 10 notation
  3. Illustrate the Concept of number operations
  4. Illustrate Properties of number operations
  5. Illustrate the concepts of measurements and units
  6. Illustrate geometric thinking
  7. Illustrate a number line
  8. Proportional reasoning
  9. Definition of Fractions
  10. Illustrate concept of fraction operations
  11. Decimal
  12. Percents
  13. Prime Numbers
  14. Prime factorization
  15. Least Common Multiple & Greatest Common Factor

Typically teams will request the Number Sense list thinking they won't have any trouble with the mathematical concepts, and hoping this will make the task of finding selfies easier. However it is often the case that after a few minutes of reflection on how one might represent these numerical concepts, groups end up switching to a different list (such as geometry or functions). Let us remember that counting is one of the oldest human mathematical activity, along with playing games, organizing objects, and representing shapes. We are therefore faced with a paradox: why does it seem so difficult to find a visual representation for ideas that seem so "basic"? Is it that workshop participants are so removed from the concrete meanings behind numbers? Have the daily abstract manipulations of numbers severed the link to tangible objects and situations in the world around us?



Picture 1: Decimals and Money

Nevertheless, I do have some remarkable Number Sense Selfies that I would like to share with you today so we can all realize that Number Sense is indeed all around us if we stop to pay attention. In a previous post I commented on number line representations (see Number Line). These are fairly common and usually the first ones to be photographed by participating teams.

Moving on, a typical school representation for decimal numbers is to use money as in the vending machine example collected in North Carolina during a Middle School teacher workshop (Picture 1).



Picture 2: Weight machine place value



Similarly, the weight machine (Picture 2), also collected during the same teacher workshop, can illustrate skip counting (multiplication),  as well as provide a visual representation for place value. As we add more weight, higher digit face values, and eventually a greater number of digits, are needed.




Moving to two sets of pictures collected in South Africa, let us consider fraction representations.




Picture 3: Wheel fractions


The wheels in Picture 3 illustrate the definition of fractions, as the students in this secondary methods class noted: "Fractions are numbers which indicate that one number is being divided by another". The partitioning of the wheels on two different cars offers the visual for it. Taking it a step further, one can notice that although this image can provide a geometric representation of fractions (parts of a whole area), students referred back to a numerical definition using number operation in their description, possibly losing some of connections that could be established.




More explicitly, and using discrete representations, the following two examples hinge on the connections between fractions, ratio, and probability. 

Picture 4: Fraction switches


Assuming the five switches in Picture 4 represent the whole, the students explained that this situation offered a good illustration for the "fraction 1 out of 5". Using this image one could imagine playing around with changing the value of the whole and expressing other kinds of fractions, including non-proper ones. 





Picture 5: Mailbox fractions and multiplication
The Math Club facilitators who found the mailbox selfie (Picture 5) offered two explanations for why it was a good example of Number Sense. First they noticed that it showed "Definition of Fractions, as we can assume that a particular number of the post boxes are full out of the total of 75", therefore looking at the chance that something happens, meanwhile getting to the core of probability. Then to calculate the number of possible events during the whole group discussion, they realized that the array of mailboxes also provided a good illustration for the area model of multiplication (5x15).

Picture 6: Window operations


And since we are now looking at illustrating number operations, let us finish with one more array which offers considerations a bit more rich and complex than the mailbox example. The set of windows in Picture 6 was put forward as an addition and multiplication of whole numbers selfies with the caption: "Lower windows ADDITION 18 plus 16 equals 34, upper windows MULTIPLICATION 15 times 3 equals 45". One could argue that it could therefore also serve as a subtraction and division selfie, these being the corresponding inverse operations, and requiring only a change of perspective. Further discussions on this particular selfie actually opened up a window (!) on many other operations, including their properties (associativity, commutativity, and even distributivity), that could be visualized and turned into a game among participants of guessing how one might represent different multiples of two, three, five, six, eight and fifteen.




          While this post helps us be more mindful of the wealth of number representations that surround us, comparing the examples above to the categories listed shows that we are still missing a lot of concepts that have yet to be illustrated.  Here is where I pitch a call to you reader: please if you feel inclined to do so, submit your own number sense selfie in the comment section, and we can open up a new discussion.